Winter art market does not stop Lia Rumma betting yet the city, doubling the exhibition space with the restoration of his "aristocratic" house.
A new beginning and a return.
Nearly 40 years after the exhibition by American artist Joseph Kosuth, sensational beginning of a long and intense adventure always in support of quality proposals, Lia Rumma starts with the art staff of the Italian hosting Marzia Improves, Forever Overhead. The exhibition
Marzia Improve the Gallery of Naples only a few months before the opening of the new Galleria in Milan Via Stilicho, a building of approximately 2,000 sqm over 4 levels that will open in spring with a personal, yet in the fine art Italian, dedicated to Ettore Spalletti. New
restored spaces of the Galleria Lia Rumma Naples reopened to the public with Forever Overhead, solo exhibition of Marc improves. Six new works by the artist echoing from different sources ranging from literature to physics, the history of the newspaper.
origin of the exhibition, the painting of the cover plate of the Tomb of the Diver in Paestum, where a young man is suspended between the column-pad from which we have just launched and the body of water beneath him.
A body that flies, drawing in the air a way that hints, in the light curve between arms and legs in a circular motion and perpetual, ideally accompanies the story of David Foster Wallace - who gives the title to exhibition and presented the eponymous video - in which, in the dizzying height of a trampoline, it consumes a teenage rite of initiation into adulthood.
A body plunges in and remove the weight from the ground becomes more.
Around this gesture in the video set, Marzia Improve distills words, signs and images that allude to a change in status. Forever overhead sounds like a formula that will suspend the action done in the void of air, up there forever, in the interval between the before and after, when you can not go back and do not know what lies beyond. A moment stretched to accommodate thoughts and possibilities, where fear and desire, life and death, the ordinary and the transcendental turn out to be inseparable unity of being.
The exhibition opens with a starting block, a name that holds together two drives of value contrary, the hesitation, blocking, and the impetus to leave. The artist created the work in the lead by taking his weight as a measure of a location similar to those found in swimming pools.
words Erri De Luca I raise the last step that lays on top of soil where there is more air is the first work side by side, almost a warning to the momentum to go beyond the limit to get rid of fears and experience air .
a quote from the same author the installation: We are made of this air such as comets and water, a sign that dissolves its neon light to go off and disappear, to light up again in perpetual motion.
And it's even a picture emerged from the history, the inspiration for Migration wingless, six sheets to the handloom fabrics that reproduce the complex transformation of a drop in body as they appear in the work Diver synthetic lines of vertical motion, made in 1931 by futurist Thayaht. At the rate of fall that redraws the stylized contours of the body, improves the texture overlaps the slow movement, a gesture, point after point, it retains the imprint.
The exhibition ends with the installation of a well disappear in time. The public is invited to move to the center of the mat, where the dip has left its trace in the winding to circulate.
Improve Marzia was born in Alexandria in 1972 and now lives and works in Turin.
Among his most recent personal note: Forms in Green (2009), San Quirico d'Orcia, Hort Leonini; My No Man's Land (2008), Art Agents Gallery, Hamburg, and its opposite White (2007), Galleria Lia Rumma, Milan; thanatosis (2006) Fondazione Merz, Turin, and The Agony & The Ecstasy (2005), FACT, Liverpool and now downloads, Italian Cultural Institute, London; Appassionata (2004), MART, Rovereto, odd or even (in 2004 ), Fondazione Sandretto Re Rebaudengo, Turin, and finally Cross Stitch (2001), Galleria Civica d'Arte Moderna and Contemporanea, Torino.
took part, among many others, the collective: Emerging Talents. New Italian Art (2009), Centre for Contemporary Culture Strozzina, Florence; Hopes & Doubts, cutting edge art Between Lebanon and Italy (2008), The Dome, Beirut, Lebanon; Où? Scènes du Sud: Espagne, Italie (2007), Portugal, Cerro d'Art Nimes; The word in (2007), Mart, Rovereto, Baroque and Neo-Baroque, DA2-Contemporary Art Centre, Salamanca, Open to work in year (2005), PAC, Milan; Size madness (2004), Galleria Civica d'Arte Contemporanea, Trento.
The artist, with a project for the Museum of 900 in Milan, is among the winners of the international prize announced by Twister: Museums Network Lombardy. Text by Francesca
Comisso. We thank the company
Zegna Baruffa Lane Borgosesia and for the film: Ilenia Corti, Marco Fois, Sir Rocco, Luca Ribuoli, Stefano Ricciotti, Daniel Tribe, Guido Viale Marchino.
Marzia Improve Untitled (A217), 2006
Watercolor on paper 21x30 Inches. Courtesy Lia
Rumma
Marzia Improve
From Here to Eternit, 2009
Letters macronil with incandescent 15-watt white 56x630 Edition of 3 Courtesy Lia
Rumma
The last two pictures do not refer to the works on display.